In this engaging episode of The Sonic Collective, hosts Alain DuPuis, Scott Coates, Darren Scott, and Scott Gregory delve into the nostalgic world of compilation albums, focusing on K-Tel Records’ iconic 1981 release, “Full Tilt.” They explore the history of K-Tel, founded in Winnipeg, Canada, by Philip Kives, who revolutionized music marketing with diverse hit compilations. The discussion highlights standout tracks like Diana Ross’s “Upside Down” and Kenny Loggins’s “I’m Alright,” while reflecting on Canada’s unique content laws that shaped the nation’s music scene. The episode offers a heartfelt journey through the eclectic mix of genres that defined an era, emphasizing the enduring charm and time-capsule nature of compilation albums.
Continue readingReview of Skid Row: Slave to the Grind
Skid Row entered the scene at a cross roads of rock and grunge. They went through a journey on this album from a more polished glam metal sound to something harder. Did it work? The guys get together and give their takes on what they thought of the album and the musical happenings of the time that might have influenced it’s fate. Stay tuned at the end when Darren reveals his pick for next month where we explore a new theme for a round.
Continue readingReview – Best of the Beach Boys, Vol. 2
We spent January 2025 listening to and pondering over the 1967 compilation album, Best of the Beach Boys, Vol. 2. As we listened, we found ourselves dreaming about what it must have been like to spend carefree summer days in the 1960s, catching waves along the coasts of California with the surf-rock stylings and delicious harmonies of the Beach Boys. Tune in to catch our review, and stay till the end to hear what album we’ll be reviewing next.
Continue readingAlbum Selection: Best of the Beach Boys, Vol 2
Over the last couple of months, both Darren and Scott picked the first albums they ever owned for us to review, so I’m continuing the trend. The first album I ever owned was Best of the Beach Boys, vol. 2 on cassette. Compiled and released by Capitol Records in 1967, this album served to fill a gap in releases by the band to keep the fans happy and the hype train going. Best of The Beach Boys vol. 2 features a selection of iconic tracks that showcase The Beach Boys’ signature surf-rock sounds, filled with many popular hit songs, including Surfin’ Safari and California Girls. Join us at the end of the month for our review.
Continue readingReview of Joan Jett: Bad Reputation
In December 2024, we revisited Joan Jett’s debut solo album, Bad Reputation (1980), a milestone in rock history. Jett’s bold voice and pioneering role as a female rocker broke barriers in a male-dominated genre.
While the album boasts standout tracks like the title song, its mix of hard rock and 50s-style pop felt uneven, with only four original songs. Despite this, Jett’s talent and energy shine through, making it a must-listen for understanding her impact on rock.
Though not a cohesive masterpiece, Bad Reputation offers a glimpse into Jett’s early journey and the evolution of women in rock. It’s worth a listen to appreciate where it all began!
Continue readingJoan Jett – Bad Reputation
Joan Jett – Bad Reputation: When Darren’s November pick of Elvis Presley’s self-titled debut had him reflecting on his first-ever album, it got me thinking: what was mine? After a stroll down memory lane, I landed on Joan Jett’s Bad Reputation. Released in 1980, this debut solo album marked Jett’s transition from The Runaways to solo stardom, paving the way for her legendary career in rock ‘n’ roll.I received this cassette for my 9th birthday in August 1982. At first, I was disappointed—it wasn’t Jett’s I Love Rock ‘n’ Roll, the album I’d actually requested. But after listening to Bad Reputation a few times, I was hooked. Classics like “Bad Reputation” and “Do Ya Wanna Touch” have stuck with me ever since.Now, decades later, I’m revisiting this album to see how it holds up and what it still has to say. Join me as I take a fresh listen to the music that first introduced me to the rebellious spirit of rock.
Continue readingReview of Elvis Presley: Self Titled
Take a Musical Journey with the King: Elvis Presley’s Debut Album
What made Elvis Presley the undisputed King of Rock ‘n’ Roll? This month on The Sonic Collective, the team dives into the groundbreaking self-titled debut album that launched Elvis into stardom. Released in 1956, this record is a time capsule of raw energy and revolutionary sound that forever changed the music landscape.
Ready to shake, rattle, and roll? Don’t miss this nostalgic and insightful episode dropping the first week of December 2024! Check it out at thesoniccollective.com and join the conversation.
Continue readingElvis Presley – Self-Titled
My favourite album I remember as a kid was a K-Mart compilation album I got that was all Elvis Presley hits. I do remember the big hit on that was ‘Teddy Bear’, which funny enough isn’t on this album I’m about to pick. just loved it I mean it was really fun rock music and this was 1975.I want you to take a musical journey back to the beginning of the Elvis era with us this month. The music from that era was so fun. So listen along and then watch for the episode the first week of December 2024 to hear what the group thought of this iconic album that kicked off a career that is still resonating in popular culture. It’s time to dive in to the King of Rock ‘n’ Roll!
Continue reading10-years of The Sonic Collective: A Look Back
This month, we celebrate 10 years of musical discovery at The Sonic Collective. During an upcoming round table discussion, we’ll consider our top 3 and bottom 3 albums, most surprising discoveries, favorite introduced albums, bands or albums we had no idea of prior to this journey, and how the experience has changed the way we listen to music.
Continue readingThis Album Influenced That Album – The Rolling Stones Influenced The Black Crowes
In the upcoming episodes, we explore how one album influenced another, starting with Darren Scott’s picks of the Foo Fighters’ debut and Bad Brains’ Rock for Light. Now it’s my turn with The Black Crowes’ The Southern Harmony and Musical Companion, their 1992 follow-up to Shake Your Money Maker. This album broke records with four rock number-one hits and topped the Billboard 200. Produced by George Drakoulias and The Black Crowes, its rock, blues, and southern black soul sound has always reminded me of the early Rolling Stones, especially their 1972 album Exile on Main St.. Known for its murky, party-like atmosphere, Exile on Main St. was a double album featuring blues, rock, swing, country, and gospel influences. This month, I’ll dive deeper to see if Exile on Main St. truly influenced The Southern Harmony and Musical Companion.
Continue reading