Classic Compilation Albums Review: Full Tilt, by K-Tel Records 1981

Welcome to the Sonic Collective, a music podcast that explores a different album or musical concept each month, diving deep into its history, context, and impact on the music industry. Join hosts Alain DuPuis, Scott Coates and Darren Scott, along with Scott Gregory, as they share their thoughts, insights, and personal connections to the music, inviting listeners to discover new perspectives and appreciation for some of the greatest albums of all time.

Darren Scott reminisces about compilation albums and the group’s original rule against reviewing compilations or best-of albums, but acknowledges exceptions.

The podcast delves into the history of compilation albums, particularly those from K-Tel Records, founded in Winnipeg, Canada, in 1962 by Philip Kives. Kives became renowned for compilation albums featuring diverse hits across various genres. He started the infomercial craze in 1962 and applied direct marketing to music, leading to the popularity of compilation albums in the 70s and 80s.

Darren shares his memories of compilation albums from his childhood, particularly the album “Full Tilt,” a Canadian release with a U.S. version that differed significantly. He explains the Canadian content law that required a percentage of music played on the radio to be Canadian, which helped the Canadian music industry grow.

The members discuss their experiences with compilation albums, highlighting the diversity of genres and artists featured. They mention standout tracks like Diana Ross’s “Upside Down,” Kenny Loggins’s “I’m All Right,” and the Irish Rovers’ “Wasn’t That a Party.” They also touch on the influence of British culture on Canadian music and the eclectic mix of songs on the album.

The podcast concludes with a discussion of the strengths and weaknesses of compilation albums, their nostalgic value, and their role as time capsules of popular music. The hosts share their ratings for the album “Full Tilt” and introduce the next album for review, “Hit Express.”