Massive Attack: Mezzanine
Scott Coates, April 2019
I’ve been listening to a fair bit of funky, jazzy, electronica lately: The Brand New Heavies, Chemical Brothers, Morcheeba and a few others. While thinking of similar bands, Massive Attack came to mind. I’d listened to their Blue Lines release a few times but hadn’t listened to this month’s pick, Mezzanine. Upon giving it a listen I realized there are a lot of tracks that I’ve heard before, namely Angel which was on the Snatch soundtrack and Safe from Harm which was featured on The Insider soundtrack. Some of my mixed chillout albums also have Massive Attack tracks on them.
Mezzanine is the third studio album by the Bristol, England, released on 20 April 1998. It took a long time to make and band members pushed themselves in various new directions, often finishing songs, then tearing them apart and almost starting again from scratch. It features many samples, ranging from Isaac Hayes to The Cure. In 2003, the album was ranked number 412 on Rolling Stone magazine’s list of The 500 Greatest Albums of All Time. It faired very well in the UK, entering the charts at #1 but didn’t do as well in North America, peaking at 51 in Canada and 60 in the US.
This is a potentially dark exploration, but one I’m looking forward to and I hope you enjoy doing so as well. Settle in to a relaxing spot and give it a roll.
Links
Mezzanine on Spotify





His studio set-up was minimal, with only three primary pieces of equipment being used in making the album: an Akai MPC60 sampler, a Technics SL-1200 turntable and an Alesis ADAT tape recorder. He became a master with the Akai – crediting it with the end-sound of the album.


This is the third studio album by Young and he’s backed by Crazy Horse. The album was originally written as a soundtrack for a movie script by the same name that never got produced. Initial reception was weak but it’s gone on to become one of Young’s most famous albums. Lets see what’s inside?! Listen to why I selected this album and listen with us at The Sonic Collective.

Please listen to my audio above revealing my selection of this great album and why I picked it. Enjoy!
Released in 2003, We Were All Born In a Flame is the debut full-length studio album by Montreal singer/songwriter Sam Roberts. Some of the album’s songs were re-recorded for the album, having been previously released on an EP or as singles. Roberts played most instruments on the collection, with the exception of drums, making this truly a solo effort.
I was in the beginning stages of writing up another selection for January when I read that Lemmy Kilmister, lead singer and ringleader of Motorhead, passed away. There were few musical icons as well established, admired, and entrenched as Lemmy, who was truly a rock God among musicians. There was no one else like him and will likely not be another father figure of hard rock like him again. He talked the talk, walked the walk, and drank the drink. It was who he was – period.