Hi all you people out there in Collective land. It’s me, Scott G, here to present our pick for November 2020, which is also the last of the double album round. As you know, Alain picked our last band, Frankie Goes to Hollywood. This was right up my alley because I’ve spent a lot of time with 80s and 90s Brit synth and pop.
I was really torn on what to pick for this round. Looking through a bunch of top-10 lists there were a lot of great options. I was leaning heavily towards Bruce Springsteen’s The River, Led Zeppelin, Pink Floyd…lots of solid, safe picks.
But stretching out into top 50 lists, the band M83 caught my eye. First, because the name was unusual, and as far as I could tell I’d never even heard of them before. Their double album’s from 2011 and is called Hurry up, we’re dreaming.
Coming off a Brit synth pop from the 80s, I thought it’d be cool to pair it with some more synth from 30 years later and across the channel. Will there be cultural differences we can detect in the album? Will there be an evolution we can trace back? How will it feel coming off an overtly sexually charged album into something more atmospheric?
Their sixth studio album, coming in at a tight 73 minutes, I’m really hoping for a polished and deeply immersive double record. I don’t usually listen to a lot of ambient music, and I hope this is as new and interesting for you all as it will be for me.
So with that, let’s start our journey together with the Sonic Collective’s November, 2020 pick: M83’s 2011 double album, Hurry up, we’re dreaming. See you at the end month.
Links
Other albums considered
The River – Bruce Springsteen
Generation Terrorists – Manic Street Preachers
Daydream Nation – Sonic Youth
There’s a period of time called “The Golden Age of Hip Hop” that spans from the mid 80s to the mid 90s. Our previous picks, including Afrika Bambataa, A Tribe Called Quest, The Beastie Boys, Public Enemy and Dr. Dre all come from this period of time. I was about 21 coming out of that stretch of time, and I’m sure it had a deeply formative effect on my musical tastes and maybe even my world view.
Released on July 25, 1989 by Capitol Records, it was recorded over two years at a Los Angeles apartment. This was the highly anticipated follow-up to the Beastie’s debut album Licensed to Ill and expectations were beyond high. It was produced with the Dust Brothers, who broke new ground utilizing multi-layered sampling, drawing on 105 songs. 
Despite similar hairstyles in the 80s, Def Leppard and Celine Dion are worlds apart when it comes to love ballads, but if you caught from last month’s review I already had hair metal on the mind, this pick might not be as big a surprise for you.
They say the intention was to create a similar to Michael Jackson’s Thriller, where every song could be a single, and the fact seven of the twelve tracks actually did chart shows how successful they were in this goal. Rolling stone ranks the album in their top 500 of all time, and the top hair metal album of all time.